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home films reviews awards projects references consultancy biography news contact with director of photography ian wilson, blind flight, tunisia 2003 photo by paul chedlow © paul chedlow / parallax independent i couldn’t have let it (blind flight) happen if i hadn’t had complete trust in johnny… john mccarthy , no 1 bestseller author, former beirut hostage more (blind flight) is a triumph, anchored by brilliant central performances… the observer - philip french’s top five films: 11.04.04 more two of the best male performances of the last year. screen international bafta 2004 film awards more every once in a while a script comes along that any actor would die for. johnny wrote such a script. ian hart , blind flight - best actor award ,tribeca film festival, new york 2004 more top-class drama **** the evening standard , blind flight: 17.10.06 more powerfully emotive and utterly compelling. tour de force performances of such emotional depth and realism you can almost taste their fears. **** time out: 7.04.04 more i have been surprised and delighted at his (john's) sensitivity and intuition. he 'got' the story better than almost anyone i have worked with. dr robin royston , psychotherapist, book co-author out of the dark more my work, whether film fiction, adaptation or true-story, deals with human extremes - captivity ( blind flight - the brian keenan / john mccarthy hostage story), mental disorders ( looks that kill - body dysmorphic disorder ), social deprivation ( living on the edge - the dark side of thatcher's britain), torture ( helen bamber - on the trail of torture ), injustice ( the roaring boy - the maguire family's wrongful imprisonment story ). it is character-driven, with love in all its forms a frequent theme, and also humour ( stormy weather - the life and times of derek jarman ). it has been noted for its empathy with very sensitive true stories, and i enjoy close relationships with my films’ subjects. i like to work in a very open, collaborative and inclusive way with actors, project colleagues, true-story protagonists and authors (see screenwriting/true stories and films: directing/actors ). my main interest is in subjects that could work in the gap between ‘art’ and ‘popular’ cinema, that could combine creative integrity with some kind of mainstream appeal (see blind flight: overview ). given the amount of time, money and energy involved in getting a movie made i need to have a good sense of why and how a film might work in a highly diversified but economically straitened marketplace. i am generally drawn to lower budget projects, with strong cast appeal, that can attract the increasingly important over-35's and womens' audience sectors (see a film project & its marketability - out of the dark ). an over 20-year special interest of mine as a writer and filmmaker has been the financial world and the global debt crisis. i have been able to use this in the development of major documentary series ( in gold we trust ) and tv drama series/feature film projects ( the crunch , the system ) with notable fellow filmmakers like documentarist kevin sim , producer simon egan and his company bedlam productions ( the kings speech ). among the nominations my debut feature film blind flight received were the fipresci international film critics' director's award for best first/second feature film (london film festival 03), best new filmmaker and best narrative feature film (tribeca film festival, new york 04), and best film award (irish film &television; awards 04). ian hart won the best actor award (tribeca film festival, new york 04) for his role as brian keenan in the film. much of my documentary work has been with leading uk documentarists roger graef and mike grigsby including looks that kill with graef and living on the edge with grigsby. my project getting real - british documentary from free cinema to free market charts the work of key post-war uk documentary filmmakers and what it reveals about its times from the black-and-white 1950’s to the digital era. john furse © 2012 michael kors handbags outlet manolo blahnik outlet isabel marant shoes sale nike shoes canada goose jackets man giuseppe zanotti sale cheap christian louboutin shoes ray ban sunglasses roger vivier online roger vivier online cheap barbour jacket

URL analysis for johnfurse.co.uk

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http://www.johnfurse.co.uk/actors.html
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observer.guardian.co.uk
books.google.co.uk
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Whois Information

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Domain name:
johnfurse.co.uk

Registrant:
John Furse

Registrant type:
UK Individual

Registrant's address:
The registrant is a non-trading individual who has opted to have their
address omitted from the WHOIS service.

Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

Registrar:
Tollon Limited t/a ukureg [Tag = UKUREG]
URL: http://www.tollon.net

Relevant dates:
Registered on: 27-Jul-2007
Expiry date: 27-Jul-2019
Last updated: 25-Apr-2017

Registration status:
Registered until expiry date.

Name servers:
ns0.eechost.net
ns2.eechost.net

WHOIS lookup made at 15:53:07 14-Jul-2017

--
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  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER co.uk.whois-servers.net

  ARGS johnfurse.co.uk

  PORT 43

  TYPE domain

OWNER

  ORGANIZATION John Furse

TYPE
UK Individual

ADDRESS
The registrant is a non-trading individual who has opted to have their
address omitted from the WHOIS service.
Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

DOMAIN

  SPONSOR Tollon Limited t/a ukureg [Tag = UKUREG]

  CREATED 2007-07-27

  CHANGED 2017-04-25

STATUS
Registered until expiry date.

NSERVER

  NS0.EECHOST.NET 217.69.32.4

  NS2.EECHOST.NET 217.69.32.8

  NAME johnfurse.co.uk

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2017.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REGISTERED yes

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